Was wir sehen

Seiichi Furuya: Was wir sehen / Gravitation
Kunsthaus Dresden and Technische Sammlungen Dresden

Exhibition design, invitation flyers and leaflets, poster stele, ads, wall and window plots

Client: Kunsthaus Dresden
Collaboration: Pascal Storz and Lamm & Kirch
Leipzig / Berlin, 2015
Seiichi Furuya’s double exhibition in Dresden features a selection of photographs at their place of origin, comprising the artist’s central work. Seen with the eyes of a foreigner, who faces the political system and culture of the former GDR and simultaneously captures the intimacy of his family in this environment, Furuya’s photographs taken in the 1980s provide a unique view on the ‘closed society’ of the socialist republic.

Formationen Formations

Samuel Henne: FormationenFormations
ISBN 978-3-86895-270-4
Revolver Publishing

Thread-sewn and saddle-stitched twin brochure, 4-color offset, 23×30.5 cm
72 pages, English / German

Client: Kunstverein Hannover
Collaboration: Tobias Wenig and Tim Wetter
Berlin, 2013
At the centre of Samuel Henne’s monographic catalogue is the constantly shifting relationship between photography and sculpture. Staged objects and folded surfaces are translated into constructed pictures, steadily alternating between the flat and the spatial. ‘FormationenFormations’ is conceived as a twin brochure that can be read from front to back, and vice versa.

Social Motions

Katarina Šević: Social Motions
Markus Draper: Demotape
Annette Weisser: German Angst
Kunsthaus Dresden

Exhibition design, invitation flyers and leaflets, poster stele, ads, wall and window plots

Client: Kunsthaus Dresden
Collaboration: Pascal Storz
Leipzig, 2014
Exhibiton design for the solo shows of Katarina Šević, Markus Draper and Annette Weisser at Kunsthaus Dresden, including invitation flyers, poster steles, ads, and signage. In the form of paintings, photographs and choreographies, the three artists deal with the social, political and aesthetical aspects of mass movements and protest cultures.

The PROVENCE Summer Reader

The PROVENCE Summer Reader: After Dark
ISBN 978-2-918252-30-6
PROVENCE / Paraguay Press

Adhesive-bound paperback, 1-color offset, silkscreened glow-in-the-dark cover,
11×18 cm (supplement), 69×93 cm (poster)
184 pages, 1 poster, English

Collaboration: Pascal Storz
Leipzig / Berlin, 2014
‘The PROVENCE Summer Reader: After Dark’ takes it starting point from the kind of supplementary pocket books that are attached to the summer issues of various lifestyle magazines. As the title suggests, it is a reader that gathers material by authors from art-connected backgrounds, taking over a format known for its slippery and entertaining contentfeaturing writings and poems by Sylvie Fleury, Georgia Sagri, Helmut Berger, Carter Mull, Bonny Poon, Karl Holmqvist, and others.

Kein Tag mehr ohne Kulturzentrum

Kein Tag mehr ohne Kulturzentrum
20 Jahre Schlachthof Wiesbaden

Saddle-stitched brochure, 2-color offset,
21.5×31 cm
60 pages, 1 inlay, German

Client: Kulturzentrum Schlachthof Wiesbaden
Collaboration: Tim Wetter
Leipzig / Berlin, 2014
This publication is a document of the past 20 years of the Schlachthof in Wiesbadenfrom squatting a defunct slaughterhouse, through to world-famous graffiti meetings and open airs, troubles with shutdowns and re-openings, to becoming Germany’s club of the yearas multiply awarded in ‘intro’ magazine. The title (‘No more day without a cultural centre’) and typographic concept derive from the collective’s first printed postulations back in 1994.


Kirunatopia: Art on Landscapes and Resources in Northern Sweden and Lausatia
Kunsthaus Dresden

Exhibition design, invitation flyers and leaflets, poster stele, ads, wall and window plots

Client: Kunsthaus Dresden
Collaboration: Pascal Storz
Leipzig, 2014
Kiruna, a town in the north of Sweden that was founded in the wake of iron ore mining, is the starting point of this artistic research and exhibition project. The consequences of mining activities caused the city center to be moved due to geological instability. ‘Kirunatopia’ seeks answers to what artistic, cultural and political meanings the term landscape has for society today.

Re-Living After the Image

Yvon Chabrowski: Re-Living After the Image / Er-Leben nach dem Bild

Leaflet poster, 4-color offset,
16.4×22.8 cm (closed), 45.6×65.6 cm (open)
16 pages, German / English

Client: Yvon Chabrowski
Collaboration: Pascal Storz
Leipzig / Berlin, 2015
Yvon Chabrowski’s performances ‘Afterimage / Protest’ and ‘Afterimage / Anti-Demo’ are based on found media footage of protests. The re-enactment is grounded on the iconography of images of recent demonstrations from Istanbul, Cairo and Moscow. It uncovers a skeleton of resistanceor rather the image formulas with which the media is reporting about it.


Lisa Oppenheim: Billowing
ISBN 978-3-942700-30-6

Saddle-stitched softcover, 2-color offset,
20×28 cm (book), 55×39 cm (posters)
24 pages, 3 posters, English

Client: Kunstverein Göttingen
Collaboration: Christopher Jung, Tobias Wenig, and Tim Wetter
Berlin, 2013
‘Billowing’ was published along with Lisa Oppenheim’s solo exhibition at Kunstverein Göttingen. Conceived without explanatory texts, the booklet unfolds as a sequence of images in which ruptures and analogies create a correlation of comparison and contrasts. The New York based artist re-exposes selected segments with the help of a burning matchthe resulting solarization reverses lights and darks, causing the images to resemble pictures of clouds.

Progress Through Projects

Progress Through Projects
25 Years of SUM Consult

Adhesive-bound brochure, 4-color offset,
17×24 cm
120 pages, English

Client: SUM Consult
Berlin, 2013
After 25 years of development aid in hundreds of projects around the world, SUM Consult presents detailed insights into the company’s major achievements. Among others, ‘Progress Through Projects’ reviews an integrated settlement upgrading project in the Dominican Republic, Uruguay’s first home improvement loan scheme, and an energy efficient recovery programme in Gansuone of China’s most active earthquake regions.

Fabian Bremer
c/o Spector Bureau
Harkortstr. 10
04107 Leipzig
+49 341 22 31 44 42

All images and concepts on this page feature work by Fabian Bremer, unless stated otherwise. Reproduction, modification or retransmission in any form or by any means is prohibited without prior permission. © 20132015, F. Bremer.